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Josh Weil brings together stories selected from a decade of work in one stellar new collection that explores themes of progress, the pursuit of knowledge, and humankind's eternal attempt to decrease the darkness in the world. Beginning at the dawn of the past century, in the early days of electrification, and moving into an imagined future in which the world is lit day and night, each tale in The Age of Perpetual Light follows deeply-felt characters through different eras in American history; from a Jewish dry goods peddler who falls in love with an Amish woman while showing her the wonders of an Edison Lamp, to a 1940 farmers' uprising against the unfair practices of a power company, a Serbian immigrant teenage boy in 1990's Vermont desperate to catch a glimpse of an experimental satellite, to a back-to-the-land couple forced to grapple with their daughter's autism during winter's longest night. Brilliantly hewn and piercingly observant, these are tales that speak to the all-too-human desire for advancement and the struggle of wounded hearts to find a salve, no matter what the cost.
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Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. Some of us are killed / in pieces, Smith writes, some of us all at once. Don t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America Dear White America where every day is too often a funeral and not often enough a miracle.
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Adam is in Antartica, marking the passage of the solstice. Across the globe, his wife Ellie is waiting for the results of her IVF treatment. So begins the story of one family in a changing world, where the apocalyptic mingles with the everyday; a father battles a biblical storm; an immigrant is mysteriously drawn to the art of beekeeping; a young girl's diary chronicles a pandemic; and a young man finds solace in building virtual recreations of the dead...
I Am Behind You by John Ajvide Lindqvist (Sept 7)ADD TO GOODREADS
Molly wakes her mother to go to the toilet. The campsite is strangely blank. The toilet block has gone. Everything else has gone too. This is a place with no sun. No god.
Just four families remain. Each has done something to bring them here - each denies they deserve it. Until they see what's coming over the horizon, moving irrevocably towards them. Their worst mistake. Their darkest fear.
And for just one of them, their homecoming. This gripping conceptual horror takes you deep into one of the most macabre and unique imaginations writing in the genre. - He wrote Let The Right One In! It seems like it is maybe just a digital release; unclear.
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It is New Year's Eve 1990, in a small town in southeast Australia. Ru's father, Jack, one of thousands of Australians once conscripted to serve in the Vietnam War, has disappeared. This time Ru thinks he might be gone for good. As rumors spread of a huge black cat stalking the landscape beyond their door, the rest of the family is barely holding on. Ru's sister, Lani, is throwing herself into sex, drugs, and dangerous company. Their mother, Evelyn, is escaping into memories of a more vibrant youth. And meanwhile there is Les, Jack's inscrutable brother, who seems to move through their lives like a ghost, earning both trust and suspicion. A Loving, Faithful Animal is an incandescent portrait of one family searching for what may yet be redeemable from the ruins of war.
Worlds from the Word's End by Joanna Walsh (Sept 12)ADD TO GOODREADS
This collection cements Joanna Walsh's reputation as one of the sharpest writers of this century. Wearing her learning lightly, Walsh's stories make us see the world afresh, from a freewheeling story on cycling (and Freud), to a country in which words themselves fall out of fashion—something that will never happen wherever Walsh is read. - Joanna Walsh & her stories are a gift to this planet, truly.
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We can bear almost anything when it is worked through collectively. Grief is generally thought of as something personal and insular, but when we publicly share loss and pain, we lessen the power of the forces that debilitate us, while at the same time building the humane social practices that alleviate suffering and improve quality of life for everyone. Addressing tragedies from Fukushima to Palestine, incarceration to eviction, AIDS crises to border crossings, and racism to rape, the intimate yet tenacious writing in this volume shows that mourning can pry open spaces of contestation and reconstruction, empathy and solidarity. With contributions from Claudia Rankine, Sarah Schulman, David Wojnarowicz, Leanne Betasamosake Simpson, David Gilbert, and nineteen others.
An Excess Male by Maggie Shen King (Sept 12)ADD TO GOODREADS
Under the One Child Policy, everyone plotted to have a son.
Now 40 million of them can't find wives. China’s One Child Policy and its cultural preference for male heirs have created a society overrun by 40 million unmarriageable men. By the year 2030, more than twenty-five percent of men in their late thirties will not have a family of their own. An Excess Male is one such leftover man’s quest for love and family under a State that seeks to glorify its past mistakes and impose order through authoritarian measures, reinvigorated Communist ideals, and social engineering. Wei-guo holds fast to the belief that as long as he continues to improve himself, his small business, and in turn, his country, his chance at love will come. He finally saves up the dowry required to enter matchmaking talks at the lowest rung as a third husband—the maximum allowed by law. Only a single family—one harboring an illegal spouse—shows interest, yet with May-ling and her two husbands, Wei-guo feels seen, heard, and connected to like never before. But everyone and everything—walls, streetlights, garbage cans—are listening, and men, excess or not, are dispensable to the State. Wei-guo must reach a new understanding of patriotism and test the limits of his love and his resolve in order to save himself and this family he has come to hold dear.
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Adam McOmber's lush, hallucinatory stories are both familiar and wholly original. Drawn from the historical record, Biblical lore, fairy tales, science fiction, and nightmares, these offbeat and fantastical works explore gender and sexuality in their darkest and most beautiful manifestations. In the tradition of Angela Carter or Kelly Link, My House Gathers Desires is covertly funny and haunting, seeking fresh ways to consider sexual identity and its relation to history.
In "Sodom and Gomorrah," readers encounter a subversive, ecstatic new version of the Old Testament story. In "The Re'em," a medieval monk's search for a mythic beast conjures forbidden desire. And in "Notes on Inversion," the German psychiatrist Kraft-Ebbing receives a surreal retort to his clinical descriptions of same-sex desire.
Autonomous by Annalee Newitz (Sept 19)ADD TO GOODREADS
Autonomous features a rakish female pharmaceutical pirate named Jack who traverses the world in her own submarine. A notorious anti-patent scientist who has styled herself as a Robin Hood heroine fighting to bring cheap drugs to the poor, Jack’s latest drug is leaving a trail of lethal overdoses across what used to be North America—a drug that compels people to become addicted to their work.
On Jack’s trail are an unlikely pair: an emotionally shut-down military agent and his partner, Paladin, a young military robot, who fall in love against all expectations. Autonomous alternates between the activities of Jack and her co-conspirators, and Joe and Paladin, as they all race to stop a bizarre drug epidemic that is tearing apart lives, causing trains to crash, and flooding New York City.
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Take a tour through the horror paperback novels of the 1970s and ’80s . . . if you dare. Page through dozens and dozens of amazing book covers featuring well-dressed skeletons, evil dolls, and knife-wielding killer crabs! Read shocking plot summaries that invoke devil worship, satanic children, and haunted real estate! Horror author and vintage paperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary’s Baby. It’s an affectionate, nostalgic, and unflinchingly funny celebration of the horror fiction boom of two iconic decades, complete with story summaries and artist and author profiles. You’ll find familiar authors, like V. C. Andrews and R. L. Stine, and many more who’ve faded into obscurity. Plus recommendations for which of these forgotten treasures are well worth your reading time and which should stay buried. - Anxiously awaiting the arrival of this book to my home.
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Based on true events in nineteenth century Ireland, Hannah Kent's startling new novel tells the story of three women, drawn together to rescue child from a superstitious community. Nora, bereft after the death of her husband, finds herself alone and caring for her grandson Micheál, who can neither speak nor walk. A handmaid, Mary, arrives to help Nóra just as rumours begin to spread that Micheál is a changeling child who is bringing bad luck to the valley. Determined to banish evil, Nora and Mary enlist the help of Nance, an elderly wanderer who understands the magic of the old ways. - Hannah Kent wrote one of my favorites, Burial Rites!!
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Even monsters need families. What are the “bamboo”? They are from China. They look just like us. They live by night. They drink human lifeblood, but otherwise keep their distance. And every century, they grow white blooming flowers.
A boy name Kyo is saved from the precipice of death by Bamboo, a vampire born of the tall grasses. They start an enjoyable, yet strange shared life together, Kyo and the gentle Bamboo. But for Bamboo, communication with a human being is the greatest sin.
The Visitors by Catherine Burns (Sept 26)ADD TO GOODREADS
Marion Zetland lives with her domineering older brother, John in a decaying Georgian townhouse on the edge of a northern seaside resort. A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.
Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden. As questions are asked and secrets unravel, maybe John isn't the only one with a dark side. - It seems as though this is more of a slow burn character study than a thriller, FYI.
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When Sarah Perry was twelve, she saw a partial eclipse of the sun, an event she took as a sign of good fortune for her and her mother, Crystal. But that brief moment of darkness ultimately foreshadowed a much larger one: two days later, Crystal was murdered in their home in rural Maine, just a few feet from Sarah’s bedroom.
The killer escaped unseen; it would take the police twelve years to find him, time in which Sarah grew into adulthood, struggling with abandonment, police interrogations, and the effort of rebuilding her life when so much had been lost. Through it all she would dream of the eventual trial, a conviction—all her questions finally answered. But after the trial, Sarah’s questions only grew. She wanted to understand her mother’s life, not just her final hours, and so she began a personal investigation, one that drew her back to Maine, taking her deep into the abiding darkness of a small American town. - YO, apparently this is completely amazing. Can't wait to read it.
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“These are stories of betrayal,” author John Langan confirms.
Apart from this thread, the stories are otherwise quite distinct from each other in terms of their characters, plots, settings, themes and even varieties of horror.
There’s “In Paris in the Mount of Kronos,” a snappy, neo-noirish, action packed Laird Barron-esque encounter with ancient malevolent forces; the dark, character-driven relationship dramas of “The Third Always Beside You” and “Renfrew’s Course”; the vaguely Lovecraftian horrors of “Bloom”; the atmospheric steampunk weirdness in the form of “The Unbearable Proximity of Mr. Dunn’s Balloons”; and apocalyptic surrealism in “Bos Uros”. Finally, the title novella, Sefira, is about a woman who is chasing a succubus across the United States, while the novelette At Home in the Devil’s House offers a new, nightmarish concept of Hell.
What books are you looking forward to this September?
